It is located on the site of the madrasah bearing the same name near the crossing with the K.Yakubov Street in Dishan-Kala. Made of baked bricks, it has four arched openings and inner stairs decorated with majolica belts. Dimensions: height - 12 m.; foundation - 3.5 m.

Is located southeast of Pahlavan Mahmud complex, it was built by foreman Kalandar Kochim on the order of Muhammad Rahimkhan II. Atajanbay Madrasah adjoins Mazari Sharif Madrasah on the eastern side. The entrance to the Madrasah is organized at the southern butt wall through a single vestibule room, which is a cross-shaped domed hall opening onto the yard with a large arch. There is no decor with the only exception of the entrance portal composed of doubled brickwork with inserted green decoration bricks.

It is located in front of the northwestern corner of Dzhuma Mosque. It was built by Salim Akhun, Khan's Chief Judge. Though this Madrasah is not as large and beautiful as others, it used different education methods. In addition to religious disciplines it taught law and taxation, i.e., legal sciences. Presently there is a Museum of the Musical Art of Khorezm.

The minaret was built by Islam Khodja, who was Khan's Prime minister. Minaret is a symbol of Khiva, the shape of it ascends to early places-prototypes (Kunya-Urgench XIV) and very narrowed at its top. On the minaret, bands of brick masonry are alternated by a band of a glazed pattern. Standing 56.6m. high, the minaret has a base diameter of 9,5m.

Built between madrasah bearing the same name and mosque, it is located in the territory of Pahlavan Mahmud collective farm. This Minaret, the smallest in Khiva, is decorated with green "bows". Dimensions: height is 5 m.; foundation diameter is 1.5 m.

It is located opposite the western walls of Shirghazi Khan Madrasah. It was built by Muhammad Rasul Mirzabashi, the son of poet and composer Muhammad Niyaz Mirzabashi (Kamil Khorezmi). Muhammad Rasul Mirzabashi was born in 1839, received primary education from his father Kamil Khorezmi and later graduated from a madrasah and Russian school. Kazy Abdullah taught him languages. He perfectly spoke Persian and Arabic and was very good at classic Oriental Poetry. In 1906, with the help of his father he defined tambour notes for the first time in Middle Asia.

It is located in the center of Ichan-Kala in front of the entrance to Pahlavan Mahmud Mausoleum. It was erected by slaves captured in 1718 by Sberghazi Khan during his raid on Korasan and Meshkhed; together with the loot 5,000 slaves were brought from there. Sherghazi Khan promised to free the slaves after the construction of the madrasah was finished but did everything possible to delay the completion. Infuriated slaves killed Sherghazi Khan in the uncompleted madrasah in 1720. His Mausoleum is connected to the western corner of the madrasah's main facade. The starting dates and date of completion of the madrasah construction can be found in the work of historian Munis. Serghazi Khan madrasah is among the oldest and largest in Khiva. Its entrance lies two meters below the street level due to the natural drop of relief and the growth of cemetery layers next to the Pahlavan Mahmud Mausoleum. This madrasah is one- and two-storey building (with two stories at the entrance) comprising a four-ayvan yard, suite of vestibule rooms and a lecturing hall at the transverse axis of the entrance group. Representatives of Khiva Khanate were not the only ones who got education at this madrasah; there were students from Turkmenistan, including famous Turkmen poet Makhtumkuli.

It is located on Sirchaly aryk in Amir Timur Street. A compound memorial complex consists of three groups of monumental structures including burial sites of several Khiva khans. Sayyid Muhammadkhan, Muhammad Rahimkhan II (Feruz) and his grandson Temurghazi Tura, Isfandiyarkhan's son were buried here. In special cells around the Mausoleum there are tombs of the Khiva khans' descendants, their wives and children. As the legends say, once there lived in these parts a Sufi sheikh called Chadirli Ishan. After his death he was buried here, and the cemetery that grew around his tomb got the name of Chadirly Ishan. In the second half of 19th century, Sayyid Muhammadkhan ordered to erect a mausoleum over the sheikh's tomb. As a result of further construction, the complex turned into the Khiva khans' family crypt. Next to it is the burial site of Islam Khodja.

It is the largest dome in Khiva covered with blue glazed tiles with shining gilded top. Built in honor of the famous Khiva poet and undefeated professional wrestler, the city's pir (patron saint) and healer Pahlavan Makhmud. Originaly the mausoleum was modest, but it rapidly grew into a pilgrim site with a great number of hujras, khanaka and mosques. In 17th century, an entrance portal to the mausoleum was built on the south side. In 1719, Sherghazi Khan, when building a new madrasah south of the cemetery, oriented it strictly towards PaKlavan Mahmud Mausoleum. In 1810, after a successful raid to Kungrad, Muhammad Rahimkhan I decided to alter the ensemble drastically. Late constructions have spread to the east and partly to the south from the ancient mausoleum. The annex to the Mausoleum was planned as a grand family burial vault for kungrads. Marble headstones of Abulgazikhan (1663) and Anushakhan (1681) were moved to the new building and installed next to the burial niche of Muhammad Rahimkhan; there is Elbars II's epitaph (1728 to1740) in the portal pylon. During the rule of Allah Kuli Khan the building was decorated with majolica tiles. The 1810 construction was supervised by craftsman Adina Muhammad Murad from Khozarasp; majolica tiles dating back to 1825, when another side gallery was added, were manufactured by Nur Muhammad, son of Usto Kalandar Khivaki, and Sufi Muhammad, son of Abdal Jabbar. Abdullah Jin was the author of pictures. A craftsman Nadir Muhammad made a wooden door in 1893-1894. At the end of 19th century, the cemetery was separated after the construction of four karikhanas and Yaqubbay Khodja madrasah. In 1913, a two-storey building was erected in the yard in front of the mausoleum. Burial vaults of Isfandiyarkhan's mother and son as well as his own burial site are located in the rooms of that building. According to the common version, Isfandiyar who died outside Ichan-Kala, at Nurullabay'a Palace, was not buried in his burial place; his son Temur Gazi after he was poisoned was buried not here but in Sayyid Makhiruy Jakhan Mausoleum next to his grand-father. Construction of the magnificent architectural complex was completed after an ayvan on carved columns was erected in the southeastern part of the yard.

It was erected on the order of Khiva's Khan Isfandiyarkhan around the tomb of Khorezmshakh killed in 1622 by Arab Muhammadkhan's son Ilbars. The one-storey Madrasah is elongated from the south to the north. There are a winter mosque and 12 hujras at the Madrasah. In 1918 Isfandiyarkhan was buried in one of the hujras after he had been killed by Turkmens. When the Khanate was abolished, the Madrasah housed a school.

The crypt is adjoining the eastern walls of Matniyaz Devan-begi Madrasah, it was built in honor of the great Sufi sheikh died in 1303. A burial vault with a dome and unique majolica headstone was erected in the first half of the 14th century and later in the 17th century a ziarat khana hall with a portal entrance facing the opposite direction was added. The architecture of these rooms has been influenced by different epochs: there are multi-layer archaic cellular pendentives and low-set dome in the gurkhana; on the other hand, the dome in the ziarat-khana is raised high on arched pendentives.

Located in the territory of Agakhi collec-tive farm, it is a part of a mosque with the same name. The Minaret and mosque were restored in the eve of Agakhi's 190th anniversary while the madrasah and mausoleum previously destroyed were built anew. The Minaret is made of baked bricks and has spiral stairs leading to four arched openings. Dimensions: height is 10 m.; foundation diameter is 3.2 m.

The Northern gate of Dishan-Kala on the road to Urgench, built in the early 20th century. The facades are flanked with three cylindrical towers, with two arch passageways between them and a traditional gallery with merloned parapets on each side. Service rooms are located on both sides of the passageway. The gate's main facades are decorated with horizontal brick mosaic on the towers and on top of the revak. Small domes on the towers are decorated with blue tile. Size: on the plan 25x17 m, height - 9.45 m.

This mausoleum is located southwest from Bikadjan Bika Madrasah, it was built in the center of the cemetery bearing the same name. According to the legends, Shakalandar Bobo, or Sheikh Kakandar Bobo was a Sufi sheikh and arrived in Khiva together with his two brothers who were dervishes. The Mausoleum is a one-domed portal burial vault. The Mausoleum portal with a folding door in Baghdadai style faces the north. The Mausoleum was restored in 1997.

It is located in front of the northeastern corner of Arabkhan Madrasah. The Madrasah was built with the money of Dost Alyam, a jurist at the court of Khiva's Khan Muhammed Rahimkhan II. Mostly jurists and lawyers were trained at the Madrasah. It is a small one-storey building, rectangular when viewed from above, with guldasta towers on the corners and elongated in transverse direction with respect to the central north-south axis. Khudaybergen Haji supervised the construction and Kalandar Kochim was the foreman. Presently the Madrasah houses a woodcarving shop.